Sikhs spool out their angst on film

Divya A, TNN 27 September 2009, 03:02am IST

In an attempt to tell their side of the story, NRI Sikhs have undertaken an interesting exercise – they’re making films about their faith and their
community and screening them at festivals they organize for the purpose in various parts of the world.

The trigger, it seems, is the community’s collective angst over developments such as the Army operation at the Golden Temple in 1984, the riots that followed Indira Gandhi’s assassination and the recent turban ban in France.

Just last week, the Sikh Art and Film Foundation (SAFF) in New York organized the Annual Sikh Film Festival, which acquired especially grand tones for the first time in its 10-year history. There was a red carpet and it was attended by more than 1,000 people. Meanwhile, Visions of Truth, a two-month-long traveling film festival with movies about 1984, was on in California. It was organized by Jakara, a California Sikhs’ club. In addition, Sikhnet, a website dedicated to building bridges between Sikhs abroad, announced its 2009 Youth Online Film Festival, inviting Sikh youth to share videos about “being a Sikh”.

But how healthy is it for a community to focus on a painful past and present itself to the world as a suffering and wronged people?

Why ever not, retorts Rajya Sabha MP Tarlochan Singh. “There are 25 million Sikhs worldwide, with more than a million in America and Canada, and about half a million in UK. An acute identity crisis in the post 9/11 world has compelled them to tell people that there is a difference between a Sikh and an Iranian or the Taliban.”

Prof S P Singh, former V-C of Amritsar’s Guru Nanak Dev University, explains it as a consequence of “the wounds inflicted on the collective Sikh psyche (which) have not been addressed so far. Time doesn’t heal the injury that hasn’t been redressed. Otherwise, Udham Singh wouldn’t have avenged Jallianwala Bagh massacre 25 years later!” Perhaps. The film Storming the Temple, part of Visions of Truth, lays out the events that ended in the Army entering the Temple; Reaching for Home is a fictional account around the incident and Amu addresses issues of identity with 1984 as the backdrop.
So too the New York film festival, which kicked off with 1984 and the Via Dolorosa, an attempt to portray Sikh suffering in the context of the Christian belief in the pain Christ suffered while carrying the cross.

So, does the community collectively alternate between self-congratulation and suffering then? On the phone from New York, SAFF president Tejinder Singh Bindra explains, “We celebrate the heritage of Sikhs and their immigrant experience and promote Sikhism in a land where people persecuted us in the wake of 9/11.”

Gurumustak Singh Khalsa, an American Sikh, who founded SikhNet told STOI from New Mexico that it would be wrong to see the festivals as navel-gazing hype. “Most people don’t have a clue who Sikhs are. The genesis of the festival came from the proliferation of short videos on websites and enabled us to reach out to more people.”

But isn’t it maudlin for Sikhs to focus so acutely on 1984? S P Singh says there may be another angle to this. He says that playing up the 1984 imagery serves the vested interests of those who sought political asylum abroad in the aftermath of Operation Blue Star. “If the movement dies down, all facilities and aid extended to them will be terminated.”

with thanks : source : http://timesofindia.indiatimes.com/news/sunday-toi/special-report/Sikhs-spool-out-their-angst-on-film/articleshow/5061084.cms

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